Perry's Mission of the Day is a videoboard activity based on Phineas and Ferb, developed by Disney Online Oceania for the Disney Australia website on May 30, 2011. Coordinated for a campaign, it enrolls users to generate snippet blends engrossed in O.W.C.A. errands.
Gameplay[]
Assorted libraries composed of short snippets starring Perry and Dr. Doofenshmirtz's quotidian antics are apportioned to the visitors for the brewing of a brief anecdote in the thirty seconds assigned. Dragging these onto the player partitions enables a nimble clip amalgamation shouldering intro and outro sequences, with nifty transitions and audio effects being electable around the gleaned scenes to readably indicate act switches. Upon finishing an edit, the user can survey the concocted video so that it meets their liking, then send the motion creation to the studio boards.
Customization[]
Recited beneath is a list of the clip collections available in the recording mixer. Each one contains between nine to fifteen visual excerpts having about five seconds in length for a total of about 120 fragments. Transitions consist in the shifting wipes applied within the episodes themselves, while the sound cues and music tracks stashed sample the ones written for the operation subplots.
- Agent P appears
- Major Monogram
- Action scenes
- Dr. Doofenshmirtz
- Agent P trapped!
- Agent P escapes!
- Battle scenes
- Secret disguises
- Random clips
Contest[]
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My favorite way to win...
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Ahead of the third season's debut in Oceania, the Mission of the Day Competition was staged through the inventive pastime in a marketing scheme to garner engagement towards the series and its fresh chapters. Kids from all over the pacific region were inspired to partake in a creative challenge requiring them to submit scrap films with quirky adventures centered on Agent P, his nemesis, and the Agency allies into the open gallery. Preferred flicks could be viewed from June 1 to 30, 2011 to increase their popularity; the daily status record earned a spot as a "Mission of the Day".
Thirty entries ended up on the victor's museum in the course of the month period, spanning two pages worth of condensed hilarity accordingly spotlighted for everyone to see. Following the last evening, the website became amended to communicate an annoucement regarding the Season 3 Catch-Up-a-Thon happening on July 31, 2011 for users to watch the recently-premiered episodes in succession. Triumphant pieces began to be gauged on expressiveness to determine the grand victor, who would have their name and product appear at around 4:30 pm AEST in the marathon.
Caitlin from New South Wales was proclaimed the winner of the contest. Runners-up included other fans from NSW, Queensland, Victoria, South Astralia, Tasmania, and New Zealand, as evidenced by the underline display section. Besides the televised exposition, the chosen champion had their wonder work aspirationally flaunted in the homepage space next to an index of the many close contenders.
Gallery[]
Background Information[]
- According to project director Rich Wiles, a cumulative of more than 300 thousand plays were registered in the 34,500 mini stories conceived during the event extravaganza, averaging in at 10,000 obvervations and 1,150 little tales manufactured per day. Homepage traffic to the show escalated by a factor of 120% in the month thanks to the publicity, leading to its hooked standing as the most requested virtual content.[1]
- Styling the attraction, a color palette formulated by the tones of black, red, green, orange, and white is utilized for the title symbol, the headings, the buttons, and the viewing backgrounds. These are coupled with a dashboard information panel, a drawing table editor, and a bulletin console interface to enrich the overarching headquarter spirit.
- Fleeting parts originating from various episodes of the first two seasons are filed in the game for usage in the annexing montages, functioning mainly as a comical retrospective to the outlandish escapades in the series up to that point. Concentration on Perry's tiring duties stems from the neighboring Platypus Day commemoration.
- Planted at the bottom left corner of the online page is a stock art of Perry in the pet mode, occasionally blinking and chortling in place to emulate the sense of movement. Likewise, the platypus' agent form is positioned in the lower right edge on the notification sheet, waving his body and arms continuously.
- For the purposes of identification, the visitor's denomination and region abbreviation must have been selected to catalog taping ingressions systematically, thereby permitting the hodgepodge authors to be properly credited in the showcases. Congruent capitalization was not enforced in naming, resulting in both full lowercase and uppercase handles.
- To facilitate the video disseminations, the clip mashups uploaded came with specific direct links to their onset fields, opening the choice to dispense them on electronic communal grounds. Inside searches via the magnifier blank could be done to locate particular shorts as well.
- A twenty-four hour urgency countdown installed on the scanning branch dictated the remaining interval to visualize and share snippets on the round, conventionalized in the header black font bearing a white outline with the standard clocking format HH:MM:SS.
- Missions put forward in previous days were conveyed to the vault archive immediately after a scheduled stage's conclusion at midnight. They might still be checked and handed out on social platforms if so desired, but the peering count is aptly disregarded.
- Esteemed arrangement edits stayed in the Winners Gallery carrying a triangular orange embellishment on the bordering top of the thumbnails, employed to report their conquest date in plain white lettering under the congratulatory context of a trophy emblem.
- Peculiarly, the notice report promised the comeback of the interactive activity in the near future due to its immense acclaim amongst the playerbase. This did not occur at any moment, however, effectively settling the frenzy occasion as a one-time phenomenon.